Slorker

Massive sculptures are fascinating and Robert Smithson’s Spiral Jetty walks the fine line between nature and the artificial. In 1970, he built a 1500-foot long, 15 foot-wide counterclockwise coil out of mud, salt crystals and rocks at the Great Salt Lake in Utah.

Like most land art, the Spiral Jetty is a part of its landscape and its affected by the elements: It exists to eventually erode under natural conditions. Since its creation, the jetty has been completely covered and uncovered by water several times, being dependent on fluctuating water levels.

When Smithson set out to build ”Spiral Jetty” in 1970, he hired a contractor and another worker who used two dump trucks, a tractor and a large front-loader to move 6,650 tons of rock and earth from the shore into the water. At 1,500 feet long, the giant spiral is large enough to be seen in photographs taken from space.

Smithson had a precise vision for the project and supervised every step, making sure individual rocks fell in the right spots. ”He would raise each rock up and roll it around, then he would move this one, change that one until it looked exactly right..He wanted it to look like it was a growing, living thing, coming out of the center of the earth.”

The Tate ETC has a great article chronicling a visit to the Spiral Jetty and feelings that it evokes:

Whenever the water of the lake recedes, it leaves salt in its wake. After the recent long drought, it now encrusts almost every inch of the work and a salt bed has risen and hardened within its 1,500ft-long spiral. It appears inevitable that after a few more cycles of high water and drought – probably a matter of decades – the Jetty will disappear completely within a matrix of impacted salt: an art conservation problem for the ages.

We visitors could see the process underway. The deep water lay far out in the lake bed, a roseate sea rippling away for miles, its surface torn into whitecaps by the wind. Between the Jetty and the water’s edge were scudding, tumbleweed-like plumes and quivering masses of salt foam, the latter in various stages of coalescence into the hard white ground, still tinged with rosy algae, on which we walked and stood.

Despite the facts, I kept imagining the lake bed and the work as being ice-bound rather than salt-bound, so white has the setting become. Spiral Jetty was not even 35 years old when I saw it, yet the mind could easily accept the thought of it as 3,500 or 35,000 years old. Only a nearby derelict oil rig, the ruins of a speculator’s failed scheme, provides some anchorage in time for the disorientated visitor. That, and the presence of other visitors.

Seeing the work from the nearby ridge, dotted with 30 or 40 people, created a slightly sickening sense both of humankind’s unstoppable dispersal across the planet and of the planet’s, and the larger universe’s, utter obliviousness.

In writings and conversation, its creator emphasised the difficulty of getting a fix on the scale of the Jetty. Now I knew how literally he meant it. From up on the ridge, the sculpture looks gargantuan in its prehensile hold on the lake bed. But set foot on it, and it turns almost intimate, a mere filigree of earth-moving within a desert immensity that lacks all familiar cues to the sizes and distances of things…

Smithson himself did a film on the Spiral Jetty, which you can view on his website (quicktime). A voice-over by Smithson reveals the evolution of the Spiral Jetty and sequences filmed in a natural history museum are integrated into the film featuring prehistoric relics that illustrate themes central to Smithson’s work. Here’s a short Youtube sample:

If you’re planning on visiting it, here are directions to the jetty.

Here’s an interesting device, particularly because it offers you the ability to reflectively record and examine your life. Right now it seems to be only limited to movement tracking but I like the idea of using self-surveillance to gain knowledge about oneself. Lifestreaming on the web has already taken a step in that direction.

The simple pedometer has been given a makeover. Fitbit, a startup based in San Francisco, has built a small, unobtrusive sensor that tracks a person’s movement 24 hours a day to produce a record of her steps taken, her calories burned, and even the quality of her sleep. Data is wirelessly uploaded to the Web so that users can monitor their activity and compare it with that of their friends.

Recently came across this poster. Reminds me of the sculpture work by Umberto Boccioni, a Futurist.

The Bulwer-Lytton Fiction contest is a writing competition sponsored by San Jose State University. Entrants are supposed to compose the opening sentence to the worst of all possible novels. The poorer and more cheesy your metaphors the better your chance of winning.

Interesting how most of the grand prize winners involve sex.

Some of the ones I found funny:

“The countdown had stalled at T minus 69 seconds when Desiree, the first female ape to go up in space, winked at me slyly and pouted her thick, rubbery lips unmistakably–the first of many such advances during what would prove to be the longest, and most memorable, space voyage of my career.”

“Professor Frobisher couldn’t believe he had missed seeing it for so long–it was, after all, right there under his nose–but in all his years of research into the intricate and mysterious ways of the universe, he had never noticed that the freckles on his upper lip, just below and to the left of the nostril, partially hidden until now by a hairy mole he had just removed a week before, exactly matched the pattern of the stars in the Pleides, down to the angry red zit that had just popped up where he and his colleagues had only today discovered an exploding nova.”

“Ace, watch your head!” hissed Wanda urgently, yet somehow provocatively, through red, full, sensuous lips, but he couldn’t you know, since nobody can actually watch more than part of his nose or a little cheek or lips if he really tries, but he appreciated her warning.”

“On reflection, Angela perceived that her relationship with Tom had always been rocky, not quite a roller-coaster ride but more like when the toilet-paper roll gets a little squashed so it hangs crooked and every time you pull some off you can hear the rest going bumpity-bumpity in its holder until you go nuts and push it back into shape, a degree of annoyance that Angela had now almost attained.”

“Detective Bart Lasiter was in his office studying the light from his one small window falling on his super burrito when the door swung open to reveal a woman whose body said you’ve had your last burrito for a while, whose face said angels did exist, and whose eyes said she could make you dig your own grave and lick the shovel clean.”

When you were a kid, what did you think of scientists? Smart people in white lab coats peering into a microscope on a table surrounded by test-tubes and strange machinery? These images are hard to shake.

A group of 7th graders visited a laboratory and these collections of hand drawn pictures show how their impressions of the profession changes after getting to know scientists in person.

Source: visitcumbria

One of the most impressive prehistoric monuments in Britain, the Castlerigg Stone Circle is located in Cumbria, a shire county in the extreme North West of England. While not as well known as the Stonehenge, the Castlerigg circle is a remarkable artifact from the past that was constructed around 3000 BC, making it one of the earliest stone circles in Britain (and maybe Europe).

It’s hard to tell from the pictures but the 38 stones in the circle are quite large. The heaviest stone is around 16 tons and the tallest is approximately 2.3m high. The diameter for the circle is approximately 30m (100ft). A collection of 10 smaller stones are arranged in a rectangle on the south-east side of the ring (something not present in other stone circles).

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The Guardian has a post on the 50 greatest arts videos on Youtube. It’s a great list with many gems. I particularly enjoyed the Sylvia Plath, William Burroughs and Hendrix videos. Happy viewing!:

YouTube is best known for its offbeat videos that become viral sensations. But among its millions of clips is a treasure trove of rare and fascinating arts footage, lovingly posted by fans. Ajesh Patalay selects 50 of the best – Joy Division’s TV debut, readings by Jack Kerouac, a Marlene Dietrich screen test, Madonna’s first performance… and much more.

You know when you fall in love, you sometimes get that literal feeling of melting into the other person. Dissolving, you fuse into into this bliss-out moment of forever. Gustav Klimt’s The Kiss illustrates this perfectly. I used to have this on a postcard, a pretty remnant of the idealized past.

Source:Kirk Lau

Coincidences are fascinating. Are they part of a predestined reality or a pure accident cognitively generated by the mind’s tendency to favor patterns? More about the Baader-Meinhof Phenomenon:

Baader-Meinhof is the phenomenon where one happens upon some obscure piece of information– often an unfamiliar word or name– and soon afterwards encounters the same subject again, often repeatedly. Anytime the phrase “That’s so weird, I just heard about that the other day” would be appropriate, the utterer is hip-deep in Baader-Meinhof. Most people seem to have experienced the phenomenon at least a few times in their lives, and many people encounter it with such regularity that they anticipate it upon the introduction of new information. But what is the underlying cause?

The 36 Views of Mount Fuji is a series of woodblock prints created between 1826 and 1833 by Japanese artist Katsushika Hokusai. Popular in the West, it’s one of the most well known Japanese art works due the widespread pop-culture reproduction of The Great Wave of Kanagawa (the first picture in the series) into posters, t-shirts and postcards.

On Ukiyo-e – Japanese Woodblock Prints

The term Ukiyo-e refers to ‘pictures of the floating world‘, a blossoming urban culture embodied by the lifestyles of the cultural bourgeoisie. The novelist Asai Ryoi provided a definition of the ‘floating life’ in his 1661 novel Tales of the Floating World (Ukiyo-monogatari):

“Living only for the moment, savoring the moon, the snow, the cherry blossoms and the maple leaves, singing songs, loving sake, women and poetry, letting oneself drift, buoyant and carefree, like a gourd carried along with the river current.”

Woodblock prints became popular in the Edo period during the second half of the 17th century. Mass produced for townsmen and common folk, its subject matter originally began with city life and culture before evolving into the topic of landscapes. Like almost all mediums, ukiyo-e was also used to produce sexually explicit images (shunga) and satire.

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